But if somebody has their Christian faith shaken to the core from reading that idea in my novel, then maybe they need to look at their Christian faith.”
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For me, the version of the story I told makes more sense to me than the version they taught me in Sunday school. Whether or not you believe Jesus was married is irrelevant. Because at least people are talking about important topics. So when people say there’s controversy about Mary Magdalene and Jesus or antimatter, then great. “And debate and discussion is how we learn. “Controversy is just a loaded word for debate,” he insists. He is equally magnanimous about those who accuse him of anti-Catholic or anti-Christian sentiment. I can’t expect everyone to like what I do.” And at some point you realise: I’m just going to write the book that I want to read. When I first started out writing, like all young artists who are critiqued, it hurt. If you don’t like what I do, there are a million other books out there for you. “Some critics love what I do and some critics hate what I do. “You know what? Everybody has different tastes,” he says cheerfully. Few writers, however, attract quite as many brickbats as Brown, whose blockbuster novels – 200 million sold and counting – have been repeatedly trashed as “vanilla”, “ungrammatical” and “repetitive”. It is not uncommon for populist writers to be rather less popular among literary critics. I can just hand it over and know that whatever decisions need to be made are being made by very, very talented people. “I’m fortunate to work with the best in the business.
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“I come here as a spectator rather than a babysitter,” Brown says. We’re on the set of Inferno, the third film (following on from the billion-dollar-grossing The Da Vinci Code and Angels & Demons) to star Hanks as Harvard symbologist Robert Langdon.Įven 15 takes in, Brown watches with the same look of delight and awe as the tourists who have wandered into a Florentine garden only to discover that they are slap-bang in the middle of a new film from director Ron Howard. Today, Brown (52) is in the Boboli Gardens watching actors Tom Hanks and Felicity Jones run repeatedly down a flight of steps. And then you have to start cutting scenes that you love but that don’t serve the story. Say a little question like: should we kill half the people on Earth to try to save the human race? And then fold in this whole world of art and architecture and history. This lesser-spotted Florence made an impression on novelist Dan Brown, who made use of the city’s clandestine corridors and peekaboo architecture in his 2013 thriller Inferno. It is early morning and the Piazza della Signoria is already teaming with tourists and their umbrella-holding guides, lending the city of Florence the aspect of a vast, open-air theme park.Ī select few file past the world’s most violent classical statues – The Rape of the Sabine Women, Perseus with the Head of Medusa – before ducking into the secret passages of the Palazzo Vecchio, chambers where prominent members of the Medici family could spy on rivals, overlooked by a second tier of hidden panels and spy-holes.